Pauline Solon
Beautiful open and limited edition prints

About Pauline

Paulin Solon

Pauline Solon

Pauline Solon is an artist whose work is reflected in the way she has lived and continues to live her life’s journey.

Born in Galway, Ireland, she later grew up on a farm in Westmeath where she developed a deep love and appreciation for Nature. For her, it was a vast wonderland of pulsating life, colour and sound; a living entity of wild abundance. The woods were places of magical refuge and inspiration, where she learned to dance to the music of the wind, the trees and the creatures she came to recognise as friends.

On the farm there was a slow winding river that reflected, in moving picture form, everything that grew along its banks and all the happenings in the sky above.

“I believe that during the time spent gazing into that river I was seeded with an intense desire to paint. So, with pieces of paper, a box of paints and a few scrawny brushes I would climb one of my favourite trees and spend hours painting pictures. I would then hide them in all sorts of places, like letters to nature”.

At school and university she continued her intense desire to understand more about the world in which she lived. However, this took her away from the life she loved on the farm.

Later with the encouragement of her family and mentor she went to Amsterdam to further her education in the Rietveld Academy of Art.

Her desire to understand more about the mystery of life drew her to travel to far away places, starting in a small village in Southern Spain. There she met the man who was to become her travelling companion and husband. Together they started a journey of destiny, she to paint and he to write.

They lived for almost two years with the people known as The Blue Men [Berbers] of Southern Morocco, where she had her first initiation into a culture of fascinating people. It was with these people that she realised her paintings enabled her to communicate beyond words.

“These people gave me a gift beyond price”.

Her husband, who had lived for many years in the Middle East, wished to re-trace his steps and keep on going towards the East. So, together they travelled overland through Turkey, Iran, Pakistan, India, Bangladesh, and Nepal. Eventually they “landed’ in what then was a small town called Broome on the Northwest Coast of Australia. They spent some time travelling through the desert, where they had some wonderful encounters with the Native People.

Deeply touched by the majesty, timelessness and silence of the Australian outback, Pauline and her husband took up residence on a property in Queensland. Their home became a meeting place for people of all ages. To this day it is still a place of refuge for those who seek to experience a moment of timelessness.
Then a series of unexpected events led her to Bali. There, under the protection of some Balinese people, she found the freedom to deepen her awareness of the importance of Art as a way to communicate and to learn.

Her connection to the Balinese people, who are integral to her daily life, is in itself an extraordinary journey.

Subsequently, during a stay in Australia she met Pedro, with whom she shares her life to this day. They built a house and studio on the land of her Balinese family, where they have lived and worked for most of the last 25 years. Pedro’s talents extend from designing unusual houses, to picture frames, to one-off pieces of jewellery and is a complement to Pauline’s way of being.

“I have literally painted my way round the world, leaving a paper trail of colour, as well as love and appreciation for the warm hearted generosity of the people who welcomed me to be part of their lives”.

“I love to experiment with all kinds of natural materials and over the years I have found myself drawn towards the long and fascinating process of their preparation. I have found that this preparation is a constant reminder of the birthing, the living and transforming process that is mirrored everywhere and of which, we, as human beings, are an integral part”.

Pauline has been exhibiting her work since 1970. She has had exhibitions in Ireland, Europe, Australia, America, Indonesia and her work is in some prestigious collections worldwide. Her paintings were chosen to represent Australia in the 50th Anniversary of Indonesian Independence in 1995.

Her work is unique and follows no particular formula. It is like her life, a journey of colour.

 

All content & images © Copyright Pauline Solon 2010

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Print Information

What is a Giclée Print?

A giclée (zhee-CLAY), is an individually produced, high-resolution, high-fidelity, high tech reproduction done on a special large format printer. Giclées are produced from digital scans of existing artwork. Also, since many artists now paint only digitally, there was no “original” that can be hung on a wall. Giclées solve that problem, while creating a whole new vibrant medium for art.

The Giclée is quickly becoming the new standard in the fine art industry, and is widely embraced for its astonishing quality by major museums, galleries, publishers and artists. A Giclée Print is quite simply the closest replication of an original artwork that is currently possible.

Giclées can be printed on any number of media, from inkjet canvas to watercolor paper to vinyl, to transparent acetates. Giclées are superior to traditional lithography in nearly every way. The colors are brighter, last longer, and are so high-resolution that they are virtually ‘continuous tone’, rather than tiny dots. The range, or “gamut” of color for giclées is far beyond that of lithography, and details are crisper.

Since giclée printerscan use media in rolls, large print sizes are available, limited only by the length and width of the roll. Billboard sizes are possible. Giclées are typically sold by the square inch or square foot.

In giclée printing, no screen or other mechanical devices are used and therefore there is no visible dot screen pattern. The image has all the tonalities and hues of the original painting. Giclée is a French term meaning to spray or squirt, which is how an inkjet printer works. However, it is not the same as a standard desktop inkjet printer, and is much larger.

HOW TO CARE FOR YOUR GICLÉE:

Giclée prints should be handled with the same care one would with any valued fine art piece. They should be protected from water, solvent-based materials and abrasion. You can extend the life expectancy of a Giclée fine art print by hanging it away from direct sunlight and moisture.

Under no circumstances should you wet your print. Also, please avoid tape or solvents coming in contact with the coated print.

Giclées printed on Fine Art Papers should ideally be framed and mounted on acid free boards under UV protected glass for maximum durability. The paper of the print itself needs to be handled carefully to prevent absorption of oils and/or marks from fingertips.

Giclées printed on Canvas are treated with special coatings to protect them against dangerous UV light invisible to the human eye and to preserve the integrity of the print. Always clean your canvas print with a dry, lint free cloth or soft brush. Never use a wet or moist cloth to clean your Giclée canvas print.

A little extra care for your Giclée fine art print now will allow you to enjoy your purchase for many years to come.