Pauline Solon
Beautiful open and limited edition prints

Bali Baptism cont.

Bali Baptism cont.

It so happened that Tanya, the daughter of one of my closest friends from University arrived to stay with us. It was, in a manner of speaking, for her, a very important pilgrimage. Her Mother, Jeannette was born in Indonesia and was adopted when she was very young, by Marten Toonder and his wife Phiny, who lived at that time in Holland. Later they decided to live in Ireland with their family and that is how we came to meet.

Jeannette often expressed the wish to come to Indonesia, However she left this world before she had the opportunity. Hence Tanya’s visit was, in a way, a coming home. It was a wonderful moment for her, as everywhere she went she was greeted as if she were in fact Balinese. So indeed she felt as if she had come home.

One evening we were invited to the home of a Balinese Friend, who was well versed in the culture and history of Indonesia. We spent many hours in his company and listening to his stories. He was bombarded with a profusion of questions that Tanya needed to ask. He answered them all with such patient enthusiasm, that we forgot the time.

Meanwhile the Heavens opened and a mini deluge came lashing down…. and didn’t stop.

In Ireland we believe we know what rain is, well the famous rain of Ireland is but a gentle drizzle in comparison to what happens here…. when it rains.

We decided to make a dash for it any way, not wanting to keep our gracious host from his slumbers any more than we had already.

Luckily by the time we reached the narrow path home, the rain had stopped. However we discovered that one of our torches had died and the other was waning. It was decided that I go first with the dim light, Tanya would follow with Pedro at the rear. The idea being that he could perhaps steady her if she missed her step.

Well I put my foot where the path should have been to discover that the path was no longer where it ‘should’ have been. It had completely collapsed during the deluge. Sure enough, I stepped into nothingness and landed in the water channel that flowed beside the rice paddy. I managed to keep my balance and avoided the actual field itself until Pedro, being the gentleman he is, reached out to help me up. He missed his step and guess what, fell on top of me, sending us both toppling the rest of the way in what felt like a slow cartoonish motion…. face first into the smelly, slimy, sticky muck of freshly ploughed water flooded earth. It went in my eyes, my ears and even up my nose. I managed to avoid getting it in my mouth despite the fact that I was laughing so hard I thought I’d never be able to get up. I was so laden down with dripping mud that walking became a sloshing shuffle. Pedro fared better as he was protected from the worst of the mud bath by the convenience of my body.

So that is how Pedro and I had the unexpected pleasure of ’sharing’ our Bali Baptism.

Tanya, our city guest who had never negotiated a pathway narrower than a London laneway, at night, remained mud less and pristine in her white dress. However she said the experience was priceless and would provide her with much laughter for years to come.

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What is a Giclée Print?

A giclée (zhee-CLAY), is an individually produced, high-resolution, high-fidelity, high tech reproduction done on a special large format printer. Giclées are produced from digital scans of existing artwork. Also, since many artists now paint only digitally, there was no “original” that can be hung on a wall. Giclées solve that problem, while creating a whole new vibrant medium for art.

The Giclée is quickly becoming the new standard in the fine art industry, and is widely embraced for its astonishing quality by major museums, galleries, publishers and artists. A Giclée Print is quite simply the closest replication of an original artwork that is currently possible.

Giclées can be printed on any number of media, from inkjet canvas to watercolor paper to vinyl, to transparent acetates. Giclées are superior to traditional lithography in nearly every way. The colors are brighter, last longer, and are so high-resolution that they are virtually ‘continuous tone’, rather than tiny dots. The range, or “gamut” of color for giclées is far beyond that of lithography, and details are crisper.

Since giclée printerscan use media in rolls, large print sizes are available, limited only by the length and width of the roll. Billboard sizes are possible. Giclées are typically sold by the square inch or square foot.

In giclée printing, no screen or other mechanical devices are used and therefore there is no visible dot screen pattern. The image has all the tonalities and hues of the original painting. Giclée is a French term meaning to spray or squirt, which is how an inkjet printer works. However, it is not the same as a standard desktop inkjet printer, and is much larger.

HOW TO CARE FOR YOUR GICLÉE:

Giclée prints should be handled with the same care one would with any valued fine art piece. They should be protected from water, solvent-based materials and abrasion. You can extend the life expectancy of a Giclée fine art print by hanging it away from direct sunlight and moisture.

Under no circumstances should you wet your print. Also, please avoid tape or solvents coming in contact with the coated print.

Giclées printed on Fine Art Papers should ideally be framed and mounted on acid free boards under UV protected glass for maximum durability. The paper of the print itself needs to be handled carefully to prevent absorption of oils and/or marks from fingertips.

Giclées printed on Canvas are treated with special coatings to protect them against dangerous UV light invisible to the human eye and to preserve the integrity of the print. Always clean your canvas print with a dry, lint free cloth or soft brush. Never use a wet or moist cloth to clean your Giclée canvas print.

A little extra care for your Giclée fine art print now will allow you to enjoy your purchase for many years to come.